Know more about the author!
Anjali Roongta is a passionate Indian author, poet, researcher, environmentalist, and storyteller. Her work is built on honesty, vulnerability, and imagination. Her writing explores the inner worlds of young adults, complex family dynamics, mental health, trauma, and healing—often blending reality with fantasy, and emotion with reflection. Her content looks at sustainable living and tries to maximize environmental positive impact without causing burnout. Because,
“Love doesn’t always have to be a sacrifice.” (Siya, 2021)
Roongta began writing at a young age, and over the years, her voice has grown into one that speaks for an entire generation navigating its way through a chaotic world. Her first major collection, Diary of a Twenty-Something: A Collection of Teenage Musings, touched hearts with its raw and relatable poetry written in a poetry-journal style. This was followed by A Tryst With Hope, which offers a deeply personal journey through pain, survival, and recovery.
Her storytelling doesn’t stop at poetry. In her novel Siya: A Suic*de’s Argument, Anjali weaves themes of trauma, family, and magic into a powerful narrative that feels both real and otherworldly. Her fantasy and horror short stories in anthologies—Once and Thereafter, Once Upon a Sublime, and Once Upon a Time—show her versatility and ability to create entire worlds through words.
Anjali’s contributions to literature have not gone unnoticed. She has been awarded the Nex8 Author of the Year, Voice of Indian Literature, and the She Excellence Award, among others. She also bagged the prestigious Sahitya Sparsh Awards 2026 and a spot on Entrepreneur Today’s 30 under 30 Class of 2026 for her work in eco-friendly publishing with her indie publishing house Muses_Saga. She also won the International Excellence Award by Exceller Press for her research in Genre Hybridity, in her paper “Doctor Who? Perhaps the Answer is Sherlock.”
These recognitions reflect not just her talent, but also her commitment to writing with purpose.
Through every poem, story, and character, Anjali invites readers to look inward—to face the shadows and still find light. She believes writing is not just about expression, but about connection. Whether you’re reading her fantasy tales or her reflections on the pandemic in Realisations in Quarantine, you’re likely to find something that feels personal, moving, and meaningful.
Outside of books, Anjali continues to engage in research, journalism, and content writing for environmentally and socially forward brands- especially fair-trade ones, bringing the same sensitivity and insight to all her work. She is deeply interested in social issues, mental health advocacy, culture, and exploring the ways stories can change the world.
“Love doesn’t always have to be a sacrifice.” (Siya, 2021)
Roongta began writing at a young age, and over the years, her voice has grown into one that speaks for an entire generation navigating its way through a chaotic world. Her first major collection, Diary of a Twenty-Something: A Collection of Teenage Musings, touched hearts with its raw and relatable poetry written in a poetry-journal style. This was followed by A Tryst With Hope, which offers a deeply personal journey through pain, survival, and recovery.
Her storytelling doesn’t stop at poetry. In her novel Siya: A Suic*de’s Argument, Anjali weaves themes of trauma, family, and magic into a powerful narrative that feels both real and otherworldly. Her fantasy and horror short stories in anthologies—Once and Thereafter, Once Upon a Sublime, and Once Upon a Time—show her versatility and ability to create entire worlds through words.
Anjali’s contributions to literature have not gone unnoticed. She has been awarded the Nex8 Author of the Year, Voice of Indian Literature, and the She Excellence Award, among others. She also bagged the prestigious Sahitya Sparsh Awards 2026 and a spot on Entrepreneur Today’s 30 under 30 Class of 2026 for her work in eco-friendly publishing with her indie publishing house Muses_Saga. She also won the International Excellence Award by Exceller Press for her research in Genre Hybridity, in her paper “Doctor Who? Perhaps the Answer is Sherlock.”
These recognitions reflect not just her talent, but also her commitment to writing with purpose.
Through every poem, story, and character, Anjali invites readers to look inward—to face the shadows and still find light. She believes writing is not just about expression, but about connection. Whether you’re reading her fantasy tales or her reflections on the pandemic in Realisations in Quarantine, you’re likely to find something that feels personal, moving, and meaningful.
Outside of books, Anjali continues to engage in research, journalism, and content writing for environmentally and socially forward brands- especially fair-trade ones, bringing the same sensitivity and insight to all her work. She is deeply interested in social issues, mental health advocacy, culture, and exploring the ways stories can change the world.
How it works
The Writing Philosophy
Genre-Spanning Storytelling
Anjali writes across genres—poetry, fantasy, contemporary fiction, and horror. From emotionally raw collections like Diary of a Twenty-Something to consumerism horror like The Mall, her stories challenge and comfort in equal measure.
Writing with Purpose
Her stories often center on mental health, trauma, and growth or envvironmentalism and women’s stories. Siya: A Suicide’s Argument is a moving example of how she mixes magic, realism, and emotional depth to reflect real-life struggles. She can also be found on Medium.
FAQ
Frequently Asked Questions
Q: Does she do book readings or speaking events?
Yes, Anjali often participates in literary events, panel discussions, and college fests. You can contact her via her website or social profiles for invites or collaborations.
Q: Which book should I start with as a new reader?
Q: What genres does she write in?
Blog
Journal entries.
Empathy Cries
A poem on empathy, helplessness, and poverty.
Fog
It’s winters and while a white winter is a boon to some of us, for some it’s a nightmare. Just sharing my feelings.
Death Knell- On Women & Society
Women are…supposed to be Set of rules and regulations- expectations Reduced to relational roles, often no individualization, Not all but nearly all boundaries dismissed, ignored, rationalized Because she is a woman, in others’ vengeful validation her worth lies? That will…
How to Write A Character-Driven Story
Yesterday, I showed my partner Mama Mia Two: Here We Go Again, a film where I told him “The plot doesn’t happen to the characters, the plot saves itself from their shenanigans.” And I think that is the essence of…
FOMO of the Road Untaken, Except Not.
Every choice I make, every crossroads of lifeThere’s a version of me I’ll never metWhom I’ve without even trying, left behindPerhaps, she’ll turn up at another turn-Yet, it’s also possible, she’ll be gone like dustA part of me regrets, wonders,Who…